Queen’s Gallery, London
Fifteen years ago, I read ‘Flights of the Mind‘, a superb biography of Leonardo da Vinci. For a fresh grad student (re)starting her career, it brought me to my knees – partly due to its physical heft, but moreso due to its humbling reminder that “greatness is not born but made”. The book illustrated in fascinating detail da Vinci’s tireless toil, the thousands of hours in pursuit of perfecting his craft.
Yesterday, I stood in a room with hundreds of da Vinci’s drawings. These drawings were never meant for public consumption. They were his private observations, notes, calculations and ruminations for his work. The copious (bordering on obsessive) studies of facial profiles, human anatomy, drapery, light and shadow, water movement, women’s braids, horses, etc were proof of the book’s assertion that behind every masterpiece were endless hours of examinations and analyses. With these came all forms of trials and errors (for example, his initial sketches of human proportions before his Vitruvian Man).
In these drawings, it was made evident where genius lies – in the hard work. In the thousands of hours of practice. In the rising above the rough sketches and failed theories.
And so again, 15 years hence, da Vinci brings me to my knees. This time, he picks me up from the floor where I’ve been hanging out on my back, staring ceilingwise, and indulging in self-pity over lousy first drafts and directionless projects. For someone (re)(re)starting her career, this was a nice slap on the face to get back on my arse, and put in the hours and practice. Because if the Genius OG Renaissance Man had to do it, I certainly have no excuse not to.
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